The Warm Up with Lucero

Lucero is known as a rowdy and raucous bar band, one that will play your requests and then close the bar down with you after the show.  They’re the hometown boys that made good and they spend most of their time on the road playing shows and “ambassadorizing” Memphis.

Their live performances are legendary and continue to be a huge part of their appeal to their fans. And we love a good, loud and drunk rock show just as much as the next person! But we’ve also had the pleasure of seeing  singer/songwriter Ben Nichols and pianist/organist Rick Steff play in more intimate settings over the last few years and that’s been a pretty special experience too. We set out to capture one of those performances this afternoon at Ardent Studios. We are pretty happy with the results.

Tonight is The Lucero Family Barbecue at The Hi-Tone. The band will be going on a 8PM, so be sure to get there early. We have a feeling that it will be jam-packed since this show will be subbing for a record release party for their latest album, Women & Work. We hear there are free hot dogs if you get there when the doors open at 5PM.


Women & Work is a love letter from Lucero to its hometown, Memphis, Tennessee. “Having a band in Memphis puts you in a tradition,” says Lucero frontman Ben Nichols. “We started at punk rock shows, not necessarily playing punk rock, but coming from the outside, from a bohemian place.”

The bohemian tradition is just as strong in Memphis as the city’s series of international hits. The popularity of Sun, Stax, Elvis, and Al Green doesn’t diminish the influence of the blues, Jim Dickinson, and Alex Chilton. The bridge between the shadows and the spotlight has become the heart of Lucero: Unafraid to mix pop with their anti-pop, they always charge into new territory.

As punks, Lucero were masters of restraint, with country music beer stains dribbled down the front of their shirts. As whiskey-soaked bohemians, they didn’t shy from sweeping Americana tableaus. And then they added an accordion. “When we started, we were building on a foundation we weren’t aware of,” says guitarist Brian Venable. “Listening back to our early stuff, we hear ourselves reference the old Sun Records. We didn’t hear it or feel it then, but we hear it and feel it now.”

5 Questions with The Dunwells @folkalliance

One of the biggest buzz bands at The 24th International Folk Alliance Conference was The Dunwells. They traveled all the way from Leeds to charm the attendees with their British take on Americana music. This was their second visit to the bluff city, the last time they were here they got signed to their record deal and were whisked away to Austin, TX to record their debut album at Willie Nelson‘s Pedernales Studio.

The quintet seemed to be quite big fans of Memphis music history as we chatted about the sound board that Led Zeppelin mixed their infamous third album on in Memphis back in the early 70s. Hopefully they are big enough fans to come back and record in Memphis real soon!

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The Warm Up with Matt the Electrician

We remember being at The International Folk Alliance Conference last year and wandering into a room we saw some friends in. As the singer began to sing, we all looked at each other with a knowing look. We had stumbled upon something really magical! It was Matt the Electrician and after his performance we cornered him in the hallway to invite him to come to Ardent. He told us that he did not tour through Memphis very much but would probably be back at the conference the following year. We told him we would wait.

Now our patience has paid off. Matt dropped by this afternoon to chat with us about who he is looking forward to seeing play this year, his favorite part of the conference and co-writing songs with people from all over the world. Matt also plays a brand new song called “See You Better” – he named it this afternoon. Check out the show and look for him in a town near you…

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Locals Only: Muck Sticky Listens to Eldorado and the Ruckus

In an attempt to pick my favorite Memphis area band, I can’t seem to choose one. There are so many I like. So I decided to pick one that has garnered far less notoriety than they should. I’m talking about the balls-to-the-wall rock outfit known as Eldorado and the Ruckus. And my fan-ship dates back to the year 2003.

I was traveling as the merchandise rep for Memphis’ own Saliva, who were the opening band on the 2003 KISS/Aerosmith tour. Eldorado Del Ray (founder of the Ruckus), was also on that tour with his band The Porch Ghouls who were signed to Joe Perry‘s label at the time. The Porch Ghouls were given their own stage near the merch booth, and they jammed for the fans who were entering each concert. I would take time at almost every show to listen to their gut-busting blues/rock sound. It was a very cool time. But time goes on and things change.

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5 Questions With The Bright Light Social Hour

We hung out with The Bright Light Social Hour this week during their stop in Memphis to play The Hi-tone. We hooked them up with a tour of Ardent and a very special tour of the Stax Museum of American Soul Music with Ardent owner John Fry as their personal tour guide.

After the tours, we sat them down in our lobby to answer some questions from Beats Antique, Death on Two Wheels, the now defunct Jamie Randolph and the Dark Horse and Memphis’ own Wuvbirds. We had fun, hope they did too!

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The Warm Up with Rob Jungklas

We were definitely excited to have Rob Jungklas set up in studio C today to share some tunes with us. Jungklas is an old friend of Ardent and is a long time Memphis musician, having weathered the highs and lows of the music business since the mid-eighties. He’s been very prolific the past few years working with producer Jeff Powell and is getting ready to finish up mixing his latest album at the end of next month.

We chatted about the change in his songwriting over the years and we got to meet his son, Robert, who might just be the next great Memphis musician, if he sticks with it! Check out three songs and then go see Jungklas with his cohorts, Jonathan Kirkscey and Robert Barnett tonight at Otherlands! They are playing with The Memphis Dawls which means it will be a fantastic show!

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SoundCheck @MinglewoodHall: Amy Lavere – “Stranger Me”

Last night we hung out at Minglewood Hall as Lucero and Amy Lavere got ready to play the 2nd Annual Lucero Family Christmas Show. We heard that it might have been their biggest show in Memphis to date (from ticket sales, the show last year at The Levitt Shell was probably their biggest regarding audience numbers, but it was free!)

Anyway, here’s a video we made of Amy Lavere sound checking with her band, joined by John Stubblefield and Rick Steff of Lucero on the title cut to her latest album Stranger Me.

Song by Song Review: Amy Lavere’s Stranger Me

I remember first seeing Amy Lavere busking on the sidewalk with The Gabe and Amy Show in downtown Memphis. I was immediately struck by such a petite and beautiful young lady slapping the shit out of the upright bass!

The next time I saw her was at a graduation party that both her band and my band were performing at for some wealthy young man. We talked over drinks during breaks about working together at some point. I was honored to work with her on her first two records on Archer Records and we developed a friendship throughout those times.

Her latest record, Stranger Me, is a high mark of her development as a recording artist and a work of sublime beauty. Produced and recorded by Craig Silvey, the mastermind behind Arcade Fire’s grammy winning album of the year, The Suburbs, the record features Amy on upright bass and vocals, Rick Steff on keyboards, David Cousar on guitars, and Paul Taylor on drums. Other contributors included Jonathan Kirkscey and Bobby Furgo (strings), Jim Spake (saxophone), John Stubblefield (bass), and Nahshon Benford (trumpet).

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Locals Only: Robert Allen Parker Listens To Holly & The Heathens

For those who haven’t heard it yet (its been out since 2010), Memphis songstress Holly Cole’s Makeshift release Holly & The Heathens is a dynamite album worth seeking out.

With this collection of songs, Holly, her band, and engineer Toby Vest, creatively expand the sound normally heard with acoustic singer/songwriters. From the kickoff track, “Come Back To Me,” you can hear a Phil Spector Wall of Sound influence behind Holly’s wailing bright voice and Greg Faison’s echo-laden beat.

This use of dynamics and the building up of monster-beautiful choruses continues throughout the album. Holly’s voice is very unique; yeah she has a high range and can sustain those to-the-sky notes, but she also puts her soul into every word and you can tell that she means it. My favorite song is “Symptoms of a Broken Heart;” this track begins with a Pink Floydian guitar melody by Jake Vest and eventually erupts into a crushing classic country-ish chorus with background ahhh’s so haunting that they make you think of ancient soundtracks to spaghetti western films (her other band “The Memphis Dawls” can conjure up this sound instantly).

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Locals Only: Dan Montgomery Listens to Gasoline Grace

Guitar, Bass & Drums, a couple of vocals. That’s all you need to make rock & roll. Sure you can add all kinds of stuff to it, no problem. But without that basic foundation, you ain’t got the real thing. Gasoline Grace are just that : Melanie Isaksen on Bass & Vocals, Robert Allen Parker on Guitar & Vocals and Angela Horton on Drums.

Their new CD Hearts On Fire features 10 slabs of Hot Rocks! Opening with the powerhouse “I See Red,” the album’s highlights include “24 Karat Trash” with it’s classic 50′s progression (although with that overdriven guitar it might be 2050), the X like “True Salvation,” the very T Rex like “The Seventh Sister” and crazed psychedelic rockabilly of “Levitation Love Maker”(more Alan Vega than Billy Lee Reily) which closes out the album.

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