The Warm Up with Lucero

Lucero is known as a rowdy and raucous bar band, one that will play your requests and then close the bar down with you after the show.  They’re the hometown boys that made good and they spend most of their time on the road playing shows and “ambassadorizing” Memphis.

Their live performances are legendary and continue to be a huge part of their appeal to their fans. And we love a good, loud and drunk rock show just as much as the next person! But we’ve also had the pleasure of seeing  singer/songwriter Ben Nichols and pianist/organist Rick Steff play in more intimate settings over the last few years and that’s been a pretty special experience too. We set out to capture one of those performances this afternoon at Ardent Studios. We are pretty happy with the results.

Tonight is The Lucero Family Barbecue at The Hi-Tone. The band will be going on a 8PM, so be sure to get there early. We have a feeling that it will be jam-packed since this show will be subbing for a record release party for their latest album, Women & Work. We hear there are free hot dogs if you get there when the doors open at 5PM.


Women & Work is a love letter from Lucero to its hometown, Memphis, Tennessee. “Having a band in Memphis puts you in a tradition,” says Lucero frontman Ben Nichols. “We started at punk rock shows, not necessarily playing punk rock, but coming from the outside, from a bohemian place.”

The bohemian tradition is just as strong in Memphis as the city’s series of international hits. The popularity of Sun, Stax, Elvis, and Al Green doesn’t diminish the influence of the blues, Jim Dickinson, and Alex Chilton. The bridge between the shadows and the spotlight has become the heart of Lucero: Unafraid to mix pop with their anti-pop, they always charge into new territory.

As punks, Lucero were masters of restraint, with country music beer stains dribbled down the front of their shirts. As whiskey-soaked bohemians, they didn’t shy from sweeping Americana tableaus. And then they added an accordion. “When we started, we were building on a foundation we weren’t aware of,” says guitarist Brian Venable. “Listening back to our early stuff, we hear ourselves reference the old Sun Records. We didn’t hear it or feel it then, but we hear it and feel it now.”

My First Record: Roy Berry of Lucero

Hello. . . My first record. . . I’m guessing this might meander, but that’s how I think from thing to thing connected. . . Let’s call this “My First Records and Record Firsts.”

I remember the first song I ever, for lack of a better word, noticed.

By noticed, I mean something more than the songs you hear in the air, sing at school, camp, church. It’s the first song I liked while I was hearing it and that song is “Country Road” by John Denver. I think I was in a car in Connecticut. I was very young.

A few years later was the first time anyone pointed out to me (and my siblings) that music was made up of multiple layers of different instruments playing different parts. That was my step mom and we were in the car at night headed somewhere.

The music was symphonic at first, then she switched to a rock station to point out the same situation happens in rock-n-roll. I think the band on the radio was Led Zeppelin. Also, she had a stack of 45s that we would listen to and my sister would make us dance.

I remember the first record (a 45) ever bought for me; it was the Star Wars Cantina song single.  In spite of George Lucas’ best efforts to ruin Star Wars, I still love that song.

The first full album bought for me was a Christmas gift and it wasn’t really the one I wanted. I wanted either the album by Christopher Cross with “Sailing”  on it or the album by the J. Geils Band with “Centerfold”  on it.

I forget what album on cassette I ended up with, but I didn’t listen to it as much as I would have. Regardless, for this same Christmas I also received a desktop cassette recorder /player, which I placed next to the radio and used to record myself mix-tapes through the air using the built-in microphone.

Anyhow, sometime around then I did some summer jobs. Worked in fields that grew watermelon, tobacco and something else I can’t remember. I had a little money, so I bought my first cassettes. They were:

The “Breakin’” soundtrack:

The Fat Boys‘ first record:

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SoundCheck @MinglewoodHall: Amy Lavere – “Stranger Me”

Last night we hung out at Minglewood Hall as Lucero and Amy Lavere got ready to play the 2nd Annual Lucero Family Christmas Show. We heard that it might have been their biggest show in Memphis to date (from ticket sales, the show last year at The Levitt Shell was probably their biggest regarding audience numbers, but it was free!)

Anyway, here’s a video we made of Amy Lavere sound checking with her band, joined by John Stubblefield and Rick Steff of Lucero on the title cut to her latest album Stranger Me.

Locals Only: Allen Morrison Listens to The New Mary Jane

Being a part of the Memphis music scene for almost twenty years now, I have seen a lot of bands come and go. Most have a good run for a few years and fizzle out. Often members will attempt to reform in different projects. Many play it safe, never pushing the envelope, and become somewhat of a parody of their former glory. Over the years you get used to the cycle. I think that is why the New Mary Jane made such an impression on me.

Last fall I saw the New Mary Jane the first time at the Buccaneer. Being a Grifters fan, I was very interested in seeing them perform. Even though I wasn’t aware when I arrived, I was about to see them play twice. The set at the Buccaneer was very minimal. John Argroves was playing a stripped down drum kit ala Mo Tucker. Dave Shouse and Scott Taylor painted sonic soundscapes with their guitars, synths, and extensive pedal collection, while James Godwin held it together with solid bass grooves. It was one of the best blends of experimentalism with pop sensibilities I have seen in a long time.

Teenage Brain by The New Mary Jane

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Brian Martin on The Warm Up

Brian Martin is one hell of a guitarist. We met the Hot Springs, AR-based singer-songwriter after he opened for our mutual friends in Dirtfoot at Maxine’s. We then proceeded to spend the night on his couch. He was very kind to extend such an invitation to us. 

We’re surprised we had not heard of him before since he has opened for Memphis’ favorite sons and Ardent Studios’ client Lucero. Either way,  it was our pleasure to invite him to Ardent Studios to record some songs for our little podcast. We were even more impressed today than we were the first night we saw him play. The man’s intricate finger-picking along with his amazing voice made our engineer’s jaw drop, and that does not happen very often.

The enormously talented Brian Martin of Sad Daddy will be playing his incredible indie folk tunes tonight at Otherlands Coffee Bar. You should go see him. And give him a car.

We apologize for the video – we tried to use a flipcam – apparently they suck!

Check out our podcast to hear some outstanding live tunes! Feel free to download The Warm Up at Ardent Studios with Brian Martin podcast! It’s a free Memphis music download from us to you!

While keeping one foot planted firmly in the roots of American music, singer/songwriter Brian Martin is forging a distinct path into its future as well. Blending styles of old-time country blues, barrel-house boogie, and indie folk, he delivers down-home witty tales with a soulful gritty voice, resulting in music that is both unique and inviting for generations young and old.

Hailing from southern Arkansas, Brian began the journey of a fulltime musician in 2004. He has since gained an ever growing fan base as well as several distinctions throughout the region. In 2004 he was a finalist in the Emerging Artist Competition for the Arkansas Blues & Heritage Festival. In 2006 & 2007 he was invited to perform in the International Blues Challenge in Memphis, Tennessee, one of only a handful of Arkansans’ selected to perform with blues musicians from around the world. Also in 2006, he received a LAMA (Lower Arkansas Music Award) for Most Unique Performer of the year. More recently, Brian took 2nd place in the 2008 Arkansas Times Musicians Showcase.

In addition to his individual performances, Brian has supported a diverse range of national touring acts such as alt. country rockers Lucero, blues legend Bobby Rush, and jam band originator Col. Bruce Hampton. In late spring of 2010 he formed a band entitled Sad Daddy with upright bassist Melissa Carper and banjo player Joe Sundell. Together, they recorded a self-title album and toured extensively throughout the summer and early fall. Brian is currently performing in support of his debut solo album “No Rider”, released in May 2011.

The Warm Up is a music podcast recorded at Ardent Studios. We are thrilled to offer this podcast recorded live in Memphis, Tn as a free music download. You can also subscribe to this podcast via Itunes. We keep the music download for this podcast free by generous support from our sponsors. Please visit their sites and purchase their products in order to keep this podcast ad-free.

The Ardent Sessions with John Paul Keith and the One Four Fives

I have been lucky enough to get to work in Ardent Studios  on a couple of occasions, and I can attest that it is a very special place. They just don’t make ‘em like Ardent anymore.

Usually, a studio falls under one of two categories: A.) funky and cool but a little less than state-of-the-art, or B.) top notch technologically, but sterile, with no atmosphere. Ardent Studios is the only one I’ve ever worked in which is both first-class sonicallyand incredibly cool, vibe-wise. You feel like you can get as artistic and esoteric as you want, without compromising any sound quality. That’s a very rare combination.

We live in an era when most recording is being done at home, on computers, and one of the arguments for this is that the artist is completely empowered and independent, and is not forced to sell an arm and a leg to pay for studio time. While this is certainly true, it is a tradeoff. For one thing, there’s no substitute for the kind of classic analog equipment and acoustically tuned rooms found at Ardent. And recording the way we did, with the full-band-live-in-the-studio approach, would be impossible to do in a home studio.

At Ardent, you feel just as free to get creative and take risks there as you would in front of your demo rig at home, but you can do it with a full band, live on the spot, and the results you will get on tape (or hard drive) will have all the warmth, richness, and complexity of the classic records we all grew up on. And no other studio gives you that almost mystical feeling of being close to greatness; if you’re a Big Star fan like I am, it’s always in the back of your mind while working there. (Of course, it’s hard not to think of Big Star when Jody Stephens drops by the session to say hi!)

For some kinds of music, you have to use a real studio. And for those kinds of sessions, I’ve never encountered a better facility than Ardent. It was an honor and a pleasure to get to work there.

- JPK

JPK and the One Four Fives tear up the Ardent Sessions

JPK and the One Four Fives tear up the Ardent Sessions

Setlist:

01:50 Smoke in a Bottle
05:53 Pure Cane Sugar
09:07 Second Hand Heart
12:58 Lookin’ for a Thrill
16:03 Otherwise
18:21 Drinking for Two
22:37 If I Were You
27:55 Too Hip
33:10 She’ll Dance to Anything
37:44 Phonograph
41:48 Baby’s Got a New Tattoo

Local Producer/Engineer Extraordinaire Kevin Cubbins

Local Producer/Engineer Extraordinaire Kevin Cubbins


John Paul Keith and the One Four Fives, “Lookin’ for a Thrill”

On this week’s edition of the Ardent Sessions we check in with John Paul Keith and The One Four Fives. JPK, formerly of The Nevers, Stateside and Ryan Adam’s Pinkhearts, has spent the last few years in Memphis playing with Harlan T. Bobo, Jack Yarber and even the legendary Jim Dickinson. He also teamed up with some of Memphis’ finest to showcase his own songwriting chops. Last year he released Spills and Thrills locally on vinyl and magically the gospel of the 145s spread. Back in April the album was released worldwide on Big Legal Mess, an imprint of the Mississippi-based Fat Possum label. The band will be out on the road in October opening for Lucero, and Jack Oblivian & The Tennessee Tearjerkers, as a part of Lucero’s ”Ramblin’ Roadshow & Memphis Review”.

The Ardent Sessions with Lucero

Ardent Studios is very proud to have hosted Lucero on their 10th Anniversary! Don’t miss this stellar performance which includes music from their entire catalog. Lead singer Ben Nichols guides us through some of the band’s earliest songs, latest gems and plays several heartfelt renditions of tunes that are rarely played live. Rick Steff, a member of the Memphis Rhythm Band that backed Cat Power on her breakout album “The Greatest“,  joins the band on B3 organ, piano and accordion. Look for the new Lucero album, 1372 Overton Park, here.

Ben Nichols accompanied by Rick Steff and Brian Venable

Ben Nichols accompanied by Rick Steff and Brian Venable

Setlist:
01:02 All the Same to Me
05:01 Summer Song
09:01 What Else Would You Have Me Be
12:53 Nights Like These
16:43 I Can Get Us Out Of Here Tonight
21:11 Wasted
25:25 Hold Me Close
29:13 Ain’t So Lonely
32:57 Drink ‘Til We’re Gone
37:02 She’s Just That Kind of Girl
40:41 Nobody’s Darlins
43:57 She Wakes When She Dreams
48:32 When You Decided to Leave
52:28 All Sewn Up
56:46 It Gets the Worst at Night
61:07 Fistful of Tears

John C. and Roy Berry play The Ardent Sessions

John C. and Roy Berry play The Ardent Sessions

Brian Venable

Brian Venable

Lucero, “What Else Would You Have Me Be?”