The Ardent Sessions with John Paul Keith and the One Four Fives

I have been lucky enough to get to work in Ardent Studios  on a couple of occasions, and I can attest that it is a very special place. They just don’t make ‘em like Ardent anymore.

Usually, a studio falls under one of two categories: A.) funky and cool but a little less than state-of-the-art, or B.) top notch technologically, but sterile, with no atmosphere. Ardent Studios is the only one I’ve ever worked in which is both first-class sonicallyand incredibly cool, vibe-wise. You feel like you can get as artistic and esoteric as you want, without compromising any sound quality. That’s a very rare combination.

We live in an era when most recording is being done at home, on computers, and one of the arguments for this is that the artist is completely empowered and independent, and is not forced to sell an arm and a leg to pay for studio time. While this is certainly true, it is a tradeoff. For one thing, there’s no substitute for the kind of classic analog equipment and acoustically tuned rooms found at Ardent. And recording the way we did, with the full-band-live-in-the-studio approach, would be impossible to do in a home studio.

At Ardent, you feel just as free to get creative and take risks there as you would in front of your demo rig at home, but you can do it with a full band, live on the spot, and the results you will get on tape (or hard drive) will have all the warmth, richness, and complexity of the classic records we all grew up on. And no other studio gives you that almost mystical feeling of being close to greatness; if you’re a Big Star fan like I am, it’s always in the back of your mind while working there. (Of course, it’s hard not to think of Big Star when Jody Stephens drops by the session to say hi!)

For some kinds of music, you have to use a real studio. And for those kinds of sessions, I’ve never encountered a better facility than Ardent. It was an honor and a pleasure to get to work there.

- JPK

JPK and the One Four Fives tear up the Ardent Sessions

JPK and the One Four Fives tear up the Ardent Sessions

Setlist:

01:50 Smoke in a Bottle
05:53 Pure Cane Sugar
09:07 Second Hand Heart
12:58 Lookin’ for a Thrill
16:03 Otherwise
18:21 Drinking for Two
22:37 If I Were You
27:55 Too Hip
33:10 She’ll Dance to Anything
37:44 Phonograph
41:48 Baby’s Got a New Tattoo

Local Producer/Engineer Extraordinaire Kevin Cubbins

Local Producer/Engineer Extraordinaire Kevin Cubbins


John Paul Keith and the One Four Fives, “Lookin’ for a Thrill”

On this week’s edition of the Ardent Sessions we check in with John Paul Keith and The One Four Fives. JPK, formerly of The Nevers, Stateside and Ryan Adam’s Pinkhearts, has spent the last few years in Memphis playing with Harlan T. Bobo, Jack Yarber and even the legendary Jim Dickinson. He also teamed up with some of Memphis’ finest to showcase his own songwriting chops. Last year he released Spills and Thrills locally on vinyl and magically the gospel of the 145s spread. Back in April the album was released worldwide on Big Legal Mess, an imprint of the Mississippi-based Fat Possum label. The band will be out on the road in October opening for Lucero, and Jack Oblivian & The Tennessee Tearjerkers, as a part of Lucero’s ”Ramblin’ Roadshow & Memphis Review”.