Song by Song Review: Little Tybee’s Humorous to Bees

Do bees really laugh? If you were in Georgia … yes. It is  the home of  a tiny little swamp of an island that someone, somewhere decided to call Little Tybee. Well known for kayaking, surfing, … snakes too!

One thing the south has always done well is music. So it should make total sense that a band of musicians from Georgia would be worth a listen. Because music from the south seems to always give a listener a different slant on life. So with a name like Little Tybee, surely curiosity alone is enough to merit a listen. And this record deserves many of those.

WARNING: The vocal performance of writer-singer-pianist-guitarist Brock Scott along with brilliant musicianship may lead to temporary interruptions of positive cash flow.

The first cut, “Humorous to Bees” is actually a retro-ish intro that at first leaves one wondering where this is all going, but it serves as a perfect way to ease into the upcoming visions of “Strong Ears.” Visions that wash over you endlessly. Then, with perfect timing, a string quartet takes a turn, and we set out again on our journey of visions. Cap it off with all of these elements playing as good friends (and a few relatives), and the world suddenly looks different. Kind of like a Georgian Beach.

“Design” is officially the third cut and once again gives an aura of 40’s island sunsets in the chorus and the bigger picture starts to come into view, especially if you know of the legend of the undetonated atomic bomb that purportedly lives underwater off of Little Tybee island. A vision of, say, Pearl Harbor before the end of 1941. A bonus in this cut: Scott shares the spotlight with 8-string lead guitarist Josh Martin, who is one deadly man with a pick and an eight string guitar.

“Passion Seekers” starts with the magical sound of a … what is that? This cut is a sonic safari that brings Technicolor® to the picture with a piano and glockenspiel showing up in the first 20 seconds. Sunlight, moonlight, and a quirky guitar slide that becomes a theme … all that’s needed for another musical feather in their hat.

Little Tybee by Paper Garden Records

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Song by Song Review: Gomez’s Ben Ottewell’s Solo Album Shapes and Shadows

So how do you go about getting someone to hear you above the glut? Not the cursory iTunes “audition” style listen; the “REAL” listen … you know, where you actually glimpse into the artist’s soul and hopefully get to spend a bit of time off from being you, and be the artist for awhile?

If you ask Gomez’s Ben Ottewell or listen to his latest solo record, Shapes and Shadows,  he gives many reasons to listen, because you will find many reasons to let the next one play. One of the main being that it’s fun guessing which direction he is going to go. And for each new direction, chalk up another reason. Starting with:

“Shadows” is a sonic journey that starts off way down there and ends up way up here! And all along the trip, it’s not easy to miss a beat of his message, due mostly to the uncluttered production that points to the pathway. But it’s really Ben who keeps your focus, with a voice quality that at times faintly echoes an early Neil Young. With no distractions pulling your ear off of his above-unique character, he moves confidently down the not so worn path, showing that he knows where this safari is leading; at least you think he does. Ottewell also has the gift of being able to paint some very complex musical scenery, containing a back-drop of unexpected color. End result: it’s a no brainer, given an engaging song, this artist clicks. As we move to other titles, his warm and oddly fetching voice provides a security for the listener, warming the soul while he may becomes daring and even a bit icy at times.

“Lightbulbs” As this piece wakes from a dream, it’s melody instantly demands an ear. The instrumental combination alone composes a denseness in the chorus which, when all stirred together, forms a big, rockin’ multi-colored wall. What? That was almost 5 minutes? It felt like 45 seconds, to me. An ethereal trip you will love. MUST play it again.

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